Monday, June 21, 2010

Raavan, in times of (Chidamba)Ramayan


Govinda as Sanjeevani Kumar

All the shortcomings notwithstanding, I want to salute Mani Ratnam, Sharada Trilok and Shaad Ali (producers of the film, according to Wikipedia) for what they have almost done. To make a film on the Indian Government's Operation Green Hunt on the tribal population of this country, and release it at a time when the operation is at its worst.

The film has Vikram playing Dev Pratap Sharma, a dutiful police officer. He represents the state (just the way PC and the mythological Ram do) and is a symbol of all the supposedly moral values (which appear extremely immoral to many of us). Mani Ratnam is careful enough not to project him as an evil person per se, even as he does not mind attributing some villainy to his brother Lakshmana Pratap Sharma. All the nonsense that Dev does is part of his duty. That includes playing a drama of questioning his wife's chastity as a ploy to trace the path to Beera's den and to eliminate the "evil".

Aishwarya plays the Bahurani of Sharma family, a role that is not very different from that of the Bahurani of the Bachchan family. No wonder she naturally comes about as the stupid white woman. All that she has to do extra is some song and dance sequences, and we know she is not good at that. Let us forgive her.



Mani's current favourite Abhishek (I think his best performance till date was in Yuva) plays the title role -- of Beera Munda, a young tribal leader. The name holds heavy resemblance to Birsa Munda, a tribal leader who lived more than hundred years back in time. He was also young (he died at the age of 25, in the year 1900) and was a local hero. [Birsa Munda (1875-1900) was a tribal leader and a folk hero, belonging to the Munda tribe who was behind the Millenarian movement that rose in the tribal belt of modern day Bihar, and Jharkhand during the British Raj, in the late 19th century making him an important figure in the history of the Indian independence movement, says Wikipedia. Mahashweta Devi has written a novel on that story, called Aranyer Adhikar]


Birsa Munda

Beera is being presented to us as a strong, rugged beast of a man. That is how the character is described on the the film's website. The description continues: Anti-establishment, non-conformist, voice of the underdog, and fiercely protective of his people; He's the beacon of hope for the oppressed lot and the pride and shame of Laal Maati. Nicknamed after the mythological daemon Raavan, he is a saint and the sinner.

Oh lord, please forgive Mani Ratnam. This is what he and his urban middle class fan following can think of at best of a tribal hero. He has to be "a beast of a man", he has to be a shame of Laal Maati (I don't think the resemblance to Lalgarh is a coincidence), and he has to be a sinner. As an obedient actor, Abhishek constantly tries to put up a cruel face. Thankfully, neither the actor nor the director seems very much worried about making him look like a tribal. The 'beast of a man' reminds us more of a "cruel Jamindar's Goonda" stereotype.

One my friend said, had Birsa Munda been a cult like Che Guevera or Bhagat Singh (it is not difficult to figure out why he is not), Mani wouldn't have dared to do this.

The most interesting character in the film is that of the Salwa Judum. He is called Sanjeevani Kumar the forest guard, played by Govinda. He knows Beera is good and that he is a God to the people there, but he helps Ram in finding his Sita and in eliminating Beera.

Why does he do that? It is not just those thirty silver coins. That is the only way he can survive in this system, as he is very much part of the system. He is Hanuman. He is you and me. He is Mani Ratnam. She is Sharada Trilok. He is Shaad Ali Sahgal.

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[I checked the web for reviews, and liked this one by Cath Clarke in The Guardian that calls the film plain sexist: "..May be it's the forest air, or a touch of Stockholm syndrome, but she takes a liking to her captor; heaven knows why since Bachchan hams it up like Toshiro Mifune at his most snarlingly crazy-eyed. Meanwhile, her husband (Vikram) gives chase, bearing down with the full weight of the law. Which is hardly surprising since flashbacks show what a cracking wife she is, fetching him his dinner while singing sweet songs and dancing alluringly.."]

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[ Images : Govinda, Abhishek and Aishwarya in Raavan, from the film's official website.
Birsa Munda, tribals and the British forces, from Shaheedsmriti.org ]

Tuesday, June 01, 2010

An Encounter

I happened to have an 'encounter' with Praveen Swami recently, thanks to Annie Zaidi who mistook me for a Counter Currents editor. I must admit that this is the closest of its sort that one can imagine.

It is upto the readers to decide whether this was fake or not. :-) [See link]

[Also see: Comments at this older post]

Friday, April 30, 2010

An ad that shows you don't need a 3D TV



That is supposed to be a video commercial for a 3D LED TV by Samsung. It shows the "possibilities" that a third dimension adds to our visual experience. Fair enough.

Now the only hitch is that I am able to see and feel all of that on a plain 2D LED screen of my laptop. So I ask -- do we really need a 3D TV?

[I have had the same question every time I saw an HD-TV ad on a normal TV!]

Friday, April 09, 2010

The Business of Killing and Getting killed

The tribals are forced to shoot the easy prey -- the poor jawans from Bihar or Orissa who hardly had any choice but to join the forces.

The poor armymen and the police in turn are forced to kill the poor tribals.

Because they are the people who come face to face.

I am tired of the reasonings of why the tribals side with the Maosists -- I know they have incentives to offer, like an alternative goverment, a justice system in place as opposed to a corrupt and failed state judiciary.. I'm also tired of the 'success stories' of Salva Judum -- the state also has incentives to offer in getting the tribals to fight among themselves.

Both the 'Naxalite' thinktanks and the 'state', with all their good or bad intentions (be it the money in the mines, the social justice they read in books, sheer existential dilemma, an urge to save the tribals from the goverment and Multinationals or a similar urge to save the same people from the Maoists' hands..) live "happily ever after". This happiness includes the pride in giving up the silver spoon for a social cause.

Then there are cleansing methods like areal strikes, in which big guns can operate themselves without the fear of getting hurt.

A third party who makes hay in this mess is the 'Parivar', who want to take the Adivasis into their army and prepare them for other types of genocides.

I am sure the days are coming when the people realize they are being taken for a ride, and kick all these outsiders out. I mean, if any of them remain.

Friday, April 02, 2010

Where the women and cattle are kept



I don't think all opposition to women's bill can be equated with the male fear of 'women taking over'. Wrote about it here.

[Image: Cartoon by Ravi Shankar in Hindustan Times, 2010 March 16]

Copy Left, Right and Centre

Sharat said that in the end titles of his film on Chengara. Salutes to the committed filmmaker who I never met.



[Photo: Irom Sharmila, Sharatchandran's profile photo on facebook.]